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The Lost Index: No.2 – The Turning

Download from the iTunes store

A museum has been infiltrated by secret enemy forces. A complete index has disappeared. Many objects can no longer be identified or verified. Stability has been disrupted. There are serious consequences that extend beyond the museum. Time is running out. Can you avoid danger and help intelligence forces stop ‘The Turning’, before it is too late?

Using iBeacon technology, this app asks one or multiple players to navigate through the museum against the clock and restore the index whilst avoiding enemy agents.

The Turning uses binaural sound and techniques from hypnotic induction in conjunction with real-world artefacts to create imaginary experiences.

This is the second in a series of The Lost Index smartphone games created by Trulyimagined for Plymouth City Museum and Art Gallery that utilise perceptual illusions to create playable imaginative story-worlds.

Come and play at the app launch on 18th October 2014 at Plymouth City Museum and Art Gallery 10.00 -5.30pm

University of Greenwich

DRHA2014 at University of Greenwich

The Digital Research in the Arts and Humanities (DRHA2014) conference took place between 31st August and 4th September at the University of Greenwich, convivially convened by Anastasios Maragiannis, Academic Portfolio leader in Design and Senior Lecturer in Design Theory & Practice.

Professor Susan Broadhurst, of Brunel University and current chair of the DRHA, informed delegates that the conference, albeit with slight changes to its name to emphasise the centrality of the arts, was in its 29th year. Performance, exhibitions and workshops ran alongside multiple streams of academic papers encompassing a breadth of interdisciplinary arts and design practices from sound to architecture. Reflective of current critical debates in the arts, the themes of space, embodiment, narrative, social media, code, data ethics and geo-political issues, proliferated the critically framed critiques of practice and expositions of theory through practice.

Highlights of the week included the paper, After the Death of Cyberflâneur by Efthymia Kasimati of National Technical University of Athens who presented a revised model for contemplating in the city. Independent scholar Sarah Jaffray’s critical exposition Aesthetic Action: Instagram’s Technogeographies of Resistance considered the changing role of Instagram as social media site from travel mementoes to guerrilla journalism, where meta-tagged images are mobilised for political activism.

Expanded narrative practices featured in themes across the conference. In the inspiring and informative workshop Practice in Writing: A recipe for Creativity and Creative Interpretation, lead by Professor Janis Jefferies of Goldsmiths, University of London and Anastasios Maragiannis, an overview of recent interactive narrative on mobile and tablet platforms framed the creation of Twitter fiction. Participants experimented with chatbots, Siri, rhyming dictionaries, alternating first-person narration and rule based systems amongst other operations of creative play.

Academic papers in narrative practices were given by Daisy Abbott of Glasgow School of Art who considered spectacle and interpretation of National Theatre Live, in her paper “Cut me to pieces”: Shakespeare, fandom and the fractured narrative. Christina Papagiannouli in Etheatre Project: Political Participation in Theatre discussed the form and implications of audience participation – “cyber collaboration”, in her theatrical re-staging of Brecht plays online. In the work of Emma Whittaker and James Brocklehurst of Plymouth University, sci-fi adventure in museums with locative narrative smartphone apps The Lost Index were considered in the context of perceptual illusions in the paper Playing With Perception: Locative Narrative and Sonic Virtual Locations. Laura Carletti of Nottingham University discussed the use of NFC tags with photographic and oral histories of Latin American Communities in the UK in Transmedia Experience Design for Audience Engagement: An Experiment with Near Field Communication.

'So Pleased to Meet You' directed by Jillian Wallis.

‘So Pleased to Meet You’ directed by Jillian Wallis.

Narratives, scripted and promoted through online interactions were the subject of the play So Pleased to Meet You, directed by Jillian Wallis of University of Greenwich and performed by the company Pattern Fight. Existential questions of being, boredom, presence and imagination were comedically posed with stagings of Chatroulette.

Ghislaine Boddington of body>data>space presented Collaborative Share Spaces and Future Digi-bodiments, a historical overview of her curatorial involvement with artists in the field of virtual worlds and telepresence over the past 25 years. The work of contemporary artists such as Joseph Hyde and his work ‘me and my shadow’ demonstrated the reoccurrence of the desire to occupy the apocryphal ‘holodeck’ and encounter teleported people (via data projections) from across the globe. Elena Papadaki discussed the relationships between sites and interactivity in Communicating Technology: Interactive design and interdisciplinary collaboration in the digital arts.

Casalegno

Federico Casalegno, MIT Mobile Experience Lab

While the technologies may be new, the ideas however, are frequently re-workings of artists’ earlier experiments with digital technologies, often prefigured by pre-digital practices in cyclical reoccurrence, as Professor Janis Jefferies rightly seemed to suggest in the panel discussion Research in the Digital Arts – historical perspectives and future innovations. Navigating city spaces was celebrated by Baudelaire, critiqued by Debord, narrativised by Cardiff and played using GPS enabled mobile platforms such as mscapes developed in early 2000’s by Hewlett Packard. Keynote speaker Federico Casalegno, director of MIT’s Mobile Experience Lab discussed Locast, the GPS digital mapping platform, developed in 2004 and since utilised in a number of collaborative projects including Mapping Moby-Dick.

Indy Saha, Google Creative Lab

Keynote speaker, Indy Saha celebrated a series of innovative projects developed by Google Creative Lab including YouTube Space Lab, Google Web Lab, Science Fair and the recent DevArt project aiming to promote artists as coders, currently exhibited as part of the Barbican’s Digital Revolution show. While the DevArt projects, such as Zac Lieberman’s ‘Play the world’, a keyboard that accesses live broadcast radio, are genuinely exciting, an acknowledgement of the historical precedence of artist as coders since the 1960s and previous innovation by research groups such as i-DAT would have been welcomed.

In Ghislaine Boddington’s concluding remarks of the conference she recounted that her fellow curators in East Asia require digital art to be at least as innovative and engaging as the digital environment that their audiences daily inhabit and urged that digital artists everywhere take up this challenge.

The peer reviewed DRHA2014 Book of Abstracts: Communicating futures: Connecting Interdisciplinary practices in arts/culture, academia and the creative industries, edited by Anastasios Maragiannis is available as a PDF and in print from Lulu.com 

The new edition of Multidisciplinary Design Practices by Anastasios Maragiannis is now available. 

DRHA 2015 will be hosted by Dublin City University 6-9th September.

RIDERS

RIDERS Project Event

25 November 2013, Manchester

This event will mix creatives with computer scientists to create a day of synergy, IS exploration and great networking opportunities.

There are a talented and diverse line up of speakers,  Christine Wilks, Daniel Kudenko, and Oliver Case. Nathan Jones from mercyonline, the experimental literary and new media organisation, running the digital creative writing workshop so members can get hands on with some experiential digital writing. The full agenda on the talks and workshop to follow shortly.

Spaces will be limited, first come, first served. Interested parties can email Vivienne at: v.m.macdonald@hw.ac.uk to notify their wish to attend.

Falmouth

 

 

£21,383 to £24,766 per annum
Fixed-term for 13 months, 35 hours a week

Falmouth University is seeking a Research Assistant to support delivery of the European Social Fund (ESF) Research project, Augmenting Impact with Social Media, which aims to explore and develop a social media platform to effectively understand, document and develop the long-term impact of performance work that takes place outside the traditional context and conventions of the theatre space. The project will explore and develop this platform in partnership with ‘Wildworks Theatre’, renowned for their work in found landscapes and for performances made with host communities from which they draw their meaning.

[Continue Reading…]

“For as long has humans have lived in communities, storytelling has bound people to each other and to their
environments. In recent times, scholars have noted how social networks arise around issues of resource and
ecological management. In this book, Raul Lejano, Mrill Ingram, and Helen Ingram argue that stories, or
narratives, play a key role; that these emergent networks essentially “narrate themselves into existence”.

The authors propose the notion of the narrative-network, and introduce innovative tools to analyze the plots, characters, and events that inform environmental action. Their analysis sheds light on how environmental networks can emerge in unlikely contexts and sustain themselves against great odds.

The authors present three case studies that demonstrate the power of narrative and narratology in the analysis of environmental networks: a conservation network in the Sonoran Desert, which achieved some success despite US-Mexico border issues; a narrative that bridged differences between community and scientists in the Turtle Islands; and networks of researchers and farmers who collaborated to develop and sustain alternative agriculture practice in the face of government inaction. These cases demonstrate that by paying attention to language and storytelling, we can improve our understanding of environmental behavior and even change it in positive ways.

22 paper | £15.95 | 978-0-262-51957-1 | 240 pp.,

Raul Lejano is Associate Professor in the Steinhardt School of Culture, Education, & Human Development at New York University and the author of Frameworks for Policy Analysis: Merging Text and Context.

Mrill Ingram, a PhD in Geography, is an independent scholar in Madison, Wisconsin.

Helen Ingram is Research Fellow at the Southwest Center, University of Arizona,
and Professor Emeritus at the University of California, Irvine. She is the author/editor of numerous books, including Reflections on Water: New Approaches to Transboundary Conflicts and Cooperation (MIT Press, 2001).”
http://mitpress.mit.edu/books/power-narrative-environmental-networks
https://www.facebook.com/pages/The-Power-of-Narrative-in-Environmental-Networks/1376580422562614

Expanded Narrative Symposium

Image by James Brocklehurst ‘Expanded Narrative Symposium’

Date of Symposium:

2 November 2013

Additional Symposium Events and Performances:

1 – 2 November

Description:

The Expanded Narrative Symposium explores the multidisciplinary field of interactive narrative that reconfigures the form and expands the experience of storytelling. The reader, relocated, becomes a player, co-author or participant. How can we design, develop and experience locative sound, participatory theatre, pervasive and mobile games, flash fiction and works yet to be defined? Through the consideration of these questions, the symposium aims to promote knowledge exchange and collaboration between practitioners from the arts, academia and the creative industries.

The symposium’s interconnected themes of story, sound, performance, games and space reflect the interdisciplinary nature of Expanded Narrative, examined by leading names.

Find out more on the symposium webpage

Book Here

The symposium is supported by the EU project VIVID in conjunction with the School of Art & Design Southampton Solent University, LiteratureWorks, Peninsula Arts, Plymouth University Faculty of Arts Teaching & Learning, The School of Art and Media, MADr and The School of Humanities and Performing Arts.

2Q==-1 VIVID logo Blue 072 U Z-1 Mise en page 1

Interview with Tassos Stevens, December 2011

Tassos Stevens is an award winning theatre director, maker, writer, game-designer and co-director of Coney, an agency of play that “…mixes live and digital art to create immersive stories and play for diverse audiences.”   In this interview Tassos Stevens discusses his involvement with three recent projects, A Small Town Anywhere, an interactive performance for a playing audience, A Cat Escapes, described as an Adventure in Learning and Papa Sangre the award winning immersive game in 3D sound for the iPhone.  Approaches to emergent storytelling, building imaginary worlds and the importance of the audience experience are considered.

Expanded Narrative is funded by Plymouth University, Teaching & Learning Directorate.