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{"id":856,"date":"2016-03-15T17:00:35","date_gmt":"2016-03-15T17:00:35","guid":{"rendered":"http:\/\/www.expandednarrative.org\/archive\/?p=856"},"modified":"2016-03-15T21:46:12","modified_gmt":"2016-03-15T21:46:12","slug":"interview-with-blast-theory-narrative-interaction-and-performance","status":"publish","type":"post","link":"http:\/\/www.expandednarrative.org\/archive\/2016\/03\/interview-with-blast-theory-narrative-interaction-and-performance\/","title":{"rendered":"Interview with Blast Theory – narrative, interaction and performance"},"content":{"rendered":"

<\/iframe><\/p>\nInterview with Blast Theory, Wellington Road, Brighton, January 2012<\/p>\n<a title=\"Blast Theory\" href=\"http:\/\/www.blasttheory.co.uk\/\" target=\"_blank\">Blast Theory<\/a> is renowned internationally as one of the most adventurous artists’ groups using interactive media.<\/p>\nIn this interview Blast Theory – Matt Adams, Ju Row Farr and Nick Tandavanitj – discuss a selection of <a title=\"Blast Theory projects\" href=\"http:\/\/www.blasttheory.co.uk\/our-work\/\" target=\"_blank\">projects<\/a> created over the last twenty years including, Fixing Point (2011), Machine to See With (2010), Ivy4Evr (2010), Ulrike and Eamon Compliant (2009), I Like Frank (2004), Uncle Roy All Around You (2003), Desert Rain (1999) and Stampede (1994). Relationships between narrative, interaction and performance, dialogue as a structuring device, game design and methods of development are considered.<\/p>\n<a title=\"PEDRIO\" href=\"https:\/\/www.plymouth.ac.uk\/research\/institutes\/pedagogic\" target=\"_blank\">Funded by The Teaching & Learning Directorate, Plymouth University<\/a> (2011-12) www.expandednarrative.org<\/p>\n","protected":false},"excerpt":{"rendered":"Interview with Blast Theory, Wellington Road, Brighton, January 2012 Blast Theory is renowned internationally as one of the most adventurous artists’ groups using interactive media. In this interview Blast Theory – Matt Adams, Ju Row Farr and Nick Tandavanitj – discuss a selection of projects created over the last twenty years including, Fixing Point (2011), … <a href=\"http:\/\/www.expandednarrative.org\/archive\/2016\/03\/interview-with-blast-theory-narrative-interaction-and-performance\/\" class=\"more-link\">Continue reading “Interview with Blast Theory – narrative, interaction and performance”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48,89,49,40,46,38,1,54,6],"tags":[95,96],"_links":{"self":[{"href":"http:\/\/www.expandednarrative.org\/archive\/wp-json\/wp\/v2\/posts\/856"}],"collection":[{"href":"http:\/\/www.expandednarrative.org\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.expandednarrative.org\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.expandednarrative.org\/archive\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.expandednarrative.org\/archive\/wp-json\/wp\/v2\/comments?post=856"}],"version-history":[{"count":7,"href":"http:\/\/www.expandednarrative.org\/archive\/wp-json\/wp\/v2\/posts\/856\/revisions"}],"predecessor-version":[{"id":863,"href":"http:\/\/www.expandednarrative.org\/archive\/wp-json\/wp\/v2\/posts\/856\/revisions\/863"}],"wp:attachment":[{"href":"http:\/\/www.expandednarrative.org\/archive\/wp-json\/wp\/v2\/media?parent=856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.expandednarrative.org\/archive\/wp-json\/wp\/v2\/categories?post=856"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.expandednarrative.org\/archive\/wp-json\/wp\/v2\/tags?post=856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}